Superintelligence: What’s in Store?

Today I want to delve into the topic of intelligence and superintelligence. I have some interest in this subject, including AIs and smart, fast (high IQ) brains, and I touched on this theme in my fiction, presenting my version of superintelligent beings of various kinds.

Intelligence can be defined in many different ways and what is considered intelligent varies with culture. Generally it is one’s capacity for problem solving, creativity, planning, memory, emotional knowledge, logic, abstract thought, learning, communication and self-awareness. Rather than book smarts, it reflects a broader and deeper capability to perceive and comprehend things and figuring out what to do. It’s the ability to understand complex ideas, to adapt effectively to the environment, to learn from experience, to engage in various forms of reasoning and to think how to overcome obstacles.

Intelligence and intellect should not be seen as synonyms though their relationship in consciousness is definitely symbiotic.

Being intellectual means knowing things, having the ability to identify and analyze, memorize and categorize objective facts of the external situation: the physical characteristics and implications of whatever is perceived by the senses. Intellectual is cognitive. It’s the ability to inquire and learn.

Being intelligent implies taking those objective facts and figuring out their meaning and/or purpose, and determine the course of action to be taken.

Training the intellect does not result in intelligence (unless you rewire that brain somehow). In intelligence is the inherent capacity to feel as well as to reason. The way we feel and the strength of feeling determines how we evaluate the facts and how we respond to them.

An intelligent person has a strong mental capacity, can think quickly, can pick up on things and can also sometimes have insight that isn’t obvious to others.

So, what is it like to have an extremely high intelligence?

What could superintelligence be like?

What mental abilities an extremely intelligent mind would have?

Clearly, all this is highly speculative. Our ability to understand a superintelligence is limited to our own intelligence. And this is exactly why AI is considered a singularity event: we have no idea what truly sentient superintelligence would be like and what its effect would be, since even superintelligence wouldn’t be enough to predict the “firmware” of a superintelligence.

Is a purely organic superintelligent mind physically possible in humans?

Assuming it is so, such mind would be a product of structure similar, but more capable than, a typical human brain, and no enhancement would necessarily be required.

There certainly are numerous examples of human brain undergo significant transformations while recovering from many kinds of traumatic events, tumors, stroke, etc. This sometimes results in neural connections between portions of the brain that normally are not connected. The outcome can be a spectrum of conditions known as synesthesia. Perhaps, a superintelligent mind could be expected to possess similar set of conditions, that would result in a mind capable of achieving profound insights and more powerful levels of inspiration and creativity.

brain-20424

Such mind would also need to be able to logically process such tremendous stream of sensory information. To do so, it would need either to process the various streams of data arriving really fast and/or operate multiple processing centers in the brain, and combine those disparate data streams into a coherent mental construct — awareness – and then act and react.

Another thing that also comes to mind is that he/she would probably behave indistinguishable from any regular human being, having

a) an ability to make the most precise systemic analysis of any visible phenomena characterizing any human emotion and gain a unique perspective about the motivation behind it;

b) eventually collecting a massive database of those (facial expressions, body gestures, involuntary reflexes, etc.) that he/she would openly read any person he/she encounters based on their behavior, even studying a few seconds of it would tell him/her everything, and

c) possessing an uncanny ability to mimic precisely any of the above that he/she chose.

Having an ability to adjust himself/herself to any person would make it easy for him/her to manipulate people as well. Having a complete control of his/her behavior, he/she would show only what is expected of him/her at any given moment.

Yet that person would probably feel like purely intuitive and realistic at the same time, because of the faster ‘computing’, more comprehensive ‘computing’, seeing new links in data, coming to new conclusions, revolutionizing understanding by new theories, models and approaches.

It is possible that unless fed with appropriate input he/she would get bored and in certain circumstances maybe become anti-social or even go psychotic, but such mind would certainly flourish in an environment that would nourish the ever-hunger. Hunger for knowledge, hunger for intelligent and empathetic interaction, an intense craving for near-constant challenges with which to engage its full range of capacity.

Such a mind would benefit from possessing an eidetic memory, either natural or technologically enhanced. Yet at the same time the mind would need to have an option to selectively disengage from all that repository of information to avoid being overwhelmed and have a calm reflection on things contemplated, and to relax and/or sleep.

As I stated earlier in this post, unlimited intelligence is not the same as having real-time data stream on which someone makes real time decisions – that would be the intellect, unless backed by high intelligence. Intelligence also doesn’t mean (nor does it require) that the person is free of moral, or free of prejudice and dogma. It still can be any combination of these things, which is a concept science fiction loves (e.g. the Matrix has intelligent machines that have no morality other than their preservation; or morally good robots that are missing some emotional understanding of things, like Data).

I tend to think that superintelligent being could be a gentle, extraordinarily empathetic person/entity, because truly brilliant people have shown great compassion in both philosophical and interpersonal basis. There are plenty of people who interact with those whose intelligence is a fraction of their own (parents & kindergarten teachers, special needs educators, etc.), and they develop wisdom, compassion and the ability to healthily interact with those people. Superintelligent person/entity could be a truly people’s person, a humble person (they would be far too intelligent to let us see all of their abilities let alone be arrogant about it), who would be pleased to do plenty of good for humanity. Unfortunately, history had also seen destruction of bright people at the hands of fellow humans.

All this leads us to one more question. What a superbright mind might do with his/her time? I think that it would engage itself in solving a vast variety of problems in an ocean of scientific and artistic fields, and hopefully with a healthy dose of ethics and morale.

Summer, Sequels and Side Stories

I’ve been procrastinating lately, mostly due to my depression, pain, and going through the medical exams of my spine — namely two CTs: one already done this month and then another one scheduled for the next month. Nothing good there so far from the first result; they suspect an (acquired) spinal cord damage and/or damage to the nerve roots and intervertebral discs, all of it sprinkled with other minor but annoying crap, so I need further magnetic resonance imaging diagnostics. Blegh.

CT scanners are cool. Literally, with their liquid helium cooling system they are like ice caves. These things must be done in summer. Also, the ride! The ride! And all that radiation? Red wine. Lots and lots of red wine between the pain meds. At least that’s what I’ve heard: red wine compound (resveratrol) offers protection against radiation exposure. (Ok, that’s just an excuse for heavy drinking.) Post-apocalyptic wine-themed action-adventure story? I’d read that. 🙂

I’ve been looking around for book bloggers and other book-reading folk for reviews of my first book, without much success yet (that would change if I suddenly get affirmative replies from the people I sent emails to). So this too was kind of depressing. And I’ve sent a lot of those emails/requests through blog forms. Probably not enough though. Another job for procrastination time, just like minor illustration and design courses on Skillshare.

The good news (for the small readership that I have) is, Falaha’s crew is getting a sequel. I wanted to wait until I finish Rjg, but since I came up with the book’s title, that thing wants to be written faster. So I’ll probably be multitasking on both books. My brain hates unfinished business and I had established a pretty vast universe there, with threads to other adventures and plots, and it seems I’m going there after all.

As for the Rjg — I’m about to rewrite everything that I’ve written so far. Why? Because of villains and helium. I’ve been digging into technology of things a lot and I must rework certain elements to fit the world and the narrative. Those are pretty important elements of worldbuilding. I’ve also shortened my target word count from 255k to 150k.

In the long run I’ll prioritize the story which would be going faster for me.

Erotica vs. Pornography, Sexy Romance vs. Erotic Romance, and Adult Something Else

I am endlessly fascinated by genre classifications and at the same time I hate labels with passion. For an indie author, once you step into the grey zone of mixed genres (the case where said genres are represented in equal or nearly equal amounts in your work), all hell breaks loose as you try to figure out what is this that you have written, where to put it and how to market it to the readers.

With this grey area of defining comes one benefit for the seller: how a book is marketed can be different from the actual content within the book (this surely can piss off a lot of people who have genre expectations.) The classification is within the eyes of the writer/publisher and the reader, and authors/publishes would aim to market a book in the genre that currently sells. Perhaps, this is more true for such genres as romance and those surrounding it. But probably can be said about all other genres such as thrillers and science fiction as well. I don’t have the statistics for this practice, but I have surely seen a fair share of angry Amazon and Goodreads reviews. So it definitely happens. Would this practice influence the reputation of a genre? Most definitely it would.

Another thing to mention is that books within the same series may not all stay within the structure of a single genre. It may also happen that you have a series with books belonging to multiple genres, with a first book being A, B and C, and the second book being B, D, E and F, depending on the focus. The intersecting genre may be represented in different amounts, say 60% for the first book and 35% for the second, but no less than other categories, hence making it one of the main genres of the series. This case is particularly interesting to me, since this is what happened with my first series.

As someone who has struggled with categorizing her own stories, in this post I’ll try to look at differences between fiction genres and labels that deal with the sex and the erotic.

I’m not going to discuss the good and the bad here. The true distinction lies in the psyche of the purchaser (or retailer): what one would call stimulating adult literature, the other would label porn. The intention of the work is in the mind of the perceiver. What is banal to one person may elicit sexual response in another. The number of sex scenes in the work in question does not matter. Generally, the more intense the stimulus (even from a single scene) the greater the possibility of the material being perceived either as erotic or pornographic, with the former being in good taste and stimulating, and the latter seen as crude, immoral and obscene. That distinction would be inaccurate, since extremely explicit material can be at the same time both erotic and pornographic, or neither, despite the author’s intentions. The material is either excellent or poor in the task of sexual stimulation.

With this in mind I want to look at objective traits of each genre/label.

What is the difference between pornography, erotica, romantic erotica, hot (sexy) romance, erotic romance, and adult something else? The definitions of these terms are subjects of debates, but here’s the basic distinction between them:

Pornography: plot, character development, and romance are not primary to these stories. It may not even have a story attached. It is designed for the express purpose of titillation and sexual gratification.

Erotica: a stand-alone genre where the stories may or may not contain romantic elements. One thing that defines erotica and differentiates it from porn is that sex is the basis of the conflict. Here the sex is the driving force between the participants and/or the central theme of the work. This is also valid for erotic romance, or erotic thriller, or whatever subgenre you have there. Yet the genres of erotica and erotic [subgenre] are not interchangeable.

Emotion and character growth are important in a true erotic story. Though author may choose to explore romance*, erotica is not designed to show the development of a romantic relationship. These stories are all about the sexual journeys of the characters and how this impacts them as individuals. Happily Ever Afters (HEAs) can be included and if they are, they aren’t the focus. HEA is not an intrinsic part of an erotic story.

*Romantic Erotica: A romance is a book where the romance itself is the main plot and the romance resolves optimistically or with a HEA. Romantic stories** have romance as an integral part of the plot but other areas of focus as well. Romantic erotica is erotica that has romance as integral part, but the focus of the story also coincides with the ones of erotica – protagonists’ personal journeys.

**Romantic stories should also be distinguished from love stories, which revolve around romantic relationships but do not require a happy ending.

Hot, Sexy Romance: a romance that may be highly sensual and descriptive but is not intensely explicit. The sex in these stories supports the characters’ emotional journey but is not an inherent part of the story and could easily be removed without damaging the storyline, character growth or relationship development. This is a standard romance with hotter sex. HEAs are a requirement.

Erotic Romance: romantic relationship develops through explicit, highly descriptive sexual interaction, which cannot be removed without damaging the storyline. The development of the romance toward a stable relationship/commitment between characters is central to the plot and the sexual relationship is fundamental to character growth and relationship development. HEAs are a requirement.

Adult [Insert Genre except Romance] a.k.a. Something Else: The rule of thumb here is that sex is not a filler, it’s a valid and required act to achieve some goal, e.g. develop characters, show hidden emotion, etc. Unlike in erotica or erotic [subgenre], sex, however explicit, is not driving the story. The story drives the sex. Nevertheless, a story with explicitness level of an erotic romance is doomed to be placed into stores’ erotica-something category.

Where does all this leave my book, Falaha’s Journey Into Pleasure? Well, it’s certainly not porn. But it’s this and that and something in between, and something else. I don’t know. I’ll leave that to the readers.

Retailer Hell for an Author

In the beginning it was all sunshine and rainbows, and my new sexy book was on a journey to all retailers my books are usually distributed to. It’s long have been listed on Amazon (no issues whatsoever), and via Smashwords it went further to other retailers.

Now, I must say that most of my sales come from Amazon and Smashwords, and some puny 0.0001% from Barnes and Noble. The rest is a black hole and I didn’t particularly care about them.

Until all hell broke loose with the iTunes store.

Now, I know that the quality check teams on both sides — Smashwords and Apple — are humans, not machines. But but but I’m close to detonating because of one persistent issue of the so called ‘Incorrect/Missing Category’. Yep, I’ve got a ticket. A whole lotta them, in fact.

It stared because my categories for the book were

Fiction » Science fiction » Space opera
Fiction » Romance » Erotic

with Space Opera being the PRIMARY one. Because fuck you, it is NOT a romance. It has elements of it, hence it goes secondary. The only store which had issues with primary category was, you guessed it, Apple. Its human quality check person decided that the MAIN cat for my book must be EROTIC ROMANCE (BISAC FIC027010), because…? Clearly, they don’t read your books. (At best, they look at a book’s aesthetic side and maybe scan for certain words, I don’t know. I’m speculating here.)

But I won’t argue with them about the point that Erotic Romance is a specific genre my book doesn’t fit into. In fact, putting it into the main Romance category would be lying to the readers who expect erotic romance. Oh, I have sex there, plenty of sex, but it doesn’t drive my story. The focus is something else, not even romance. Genrewise, it’s not erotic anything, it’s adult science fiction. But retailers don’t HAVE a category labeled adult science fiction. It doesn’t exist. So, following the market winds, I switched the main category to and left the secondary as space opera.

Fiction » Romance » Erotic
Fiction » Science fiction » Space opera

Normally you’d think the issue would go away, because that was what they wanted you to do. Hey, I’m in the correct category now!

NOPE.

Cat-tickets
Read bottom-to-top.

In a couple of days I found the same ticket with the wrong main category. So I wrote a message to Smashwords support to ask what does Apple QT want. Apparently, it was all fine on their side now, so the issue went further to the tech team. I’m still guessing how it would be resolved here, since I got no more mails.

It’s possible that there was some glitch.

Meanwhile, the issue still persists.

Facepalm

UPDATE: It’s finally over. The ticket is closed and I hope to see the book in Apple store soon.